2006 Boston Crusaders
The Drum Corps International World Championships went to Madison, Wisconsin's Camp Randall Stadium for the seventh time in 2006, the venue having undergone a significant modernization and expansion since last hosting the Championships in 2002. The Cavaliers won their seventh title with the robotic "Machine," topping Phantom Regiment's "Faust" by 0.35 and Blue Devils' "Godfather" show by 0.65. Bluecoats achieved its highest placement up until then by finishing in fourth, edging the defending World Champion Cadets by just a tenth of a point. Boston Crusaders' 10th-place show was titled "Cathedrals of the Mind," a production conceived as one movement divided into four segments titled, "Confusion and Provocation," "Sanctuary," "Pathway to Affirmation," and "Delivery and Affirmation." The production introduced spectators to the fresh and invigorating music of composer Jennifer Higdon and kept fans' ears on guard to hear the next hidden snippet of the corps' trademark "Conquest" theme. The show also included snippets of Michel Legrand's "The Windmills of Your Mind" and some original music by corps arrangers Jay Kennedy, Richard Viano, and Jerry Carpenter. "Confusion and Provocation" started with short musical motifs evolving from timpani and chimes. Fourteen tall and narrow half arch props were dispersed across the field as the sound of Legrand's song was heard, written for the 1968 crime thriller, "The Thomas Crown Affair." The song was interspersed with themes from the first movement of Higdon's 2002 "Concerto for Orchestra."
Bright, blazing reddish-orange flags the same color as the color guard members' tops contributed to the raucous intensity of Higdon's work, a dramatic essay largely based on octatonic scales. Whereas a regular major scale has seven distinct pitches before repeating "Do" (think "Do-Re-Mi" from "The Sound of Music"), octatonic scales are built upon eight pitches within one octave. The movement titled "Sanctuary" introduced Higdon's 2000 composition "blue cathedral," further interspersed with a couple snippets of the Legrand tune. Higdon's most famous work, one of the most-performed contemporary selections by American orchestras during its first 10 years, was commisioned by the Curtis Institute of Music for its 75th anniversary. Higdon teaches composition at the prestigious Philadelphia conservatory. Higdon wrote "blue cathedral" in honor of her brother Andrew Blue, who died in 1998 of cancer. She wrote: "As I was writing this piece, I found myself imagining a journey through a glass cathedral in the sky. Because the walls would be transparent, I saw the image of clouds and blueness permeating from the outside of this church … I wanted to create the sensation of contemplation and quiet peace at the beginning, moving toward the feeling of celebration and ecstatic expansion of the soul, all the while singing along with that heavenly music." The half arch props now formed a continual arc to the sides and back of the corps, with the reddish-orange flags now taking on a softer quality with streaks of pastels. The "Pathway to Affirmation" segment offered a sense of repose as two of the arches passed by each other and connected to face each other, creating a cathedral arch at the back of the field. "Delivery and Affirmation" began with a section of "blue cathedral" that dealt with Higdon's anger with the death of her brother. The color blue snuck into the orangeness of the flags. From the front ensemble, brass stabs from the corps' theme song "Conquest" invaded the intense meandering of the curvy drill formations, as chimes played the main melody.

2006 Boston Crusaders
A lone trumpet recapped the first 12 notes of the song, leading into the final segment of the show, which triumphantly focused on the "Affirmation" element. The all-white arches were turned around to show a sort of triangle and stripe design that contemplated the angles of the chevrons on the new flags, separating bursts of orange from stripes of cloud-like silver. All the arches were now on either side of the 50-yard line. Lined up front to back, the halves were further apart up front and closed up toward the back of the field. Members of the color guard walked through the arches as the brass players calmly played the "Conquest" melody. The two halves of the arch segments then came together on the final note from the mallet instruments to make seven complete cathredal arches, the final note representing the tolling of a church bell. Higdon has since won the Pulitzer Prize for Music and a Grammy Award for Best Contemporary Classical Music Composition, each for works other than what the Boston Crusaders performed. DCI.org had the opportunity to interview her in 2006 while she attended the DCI World Championships in Madison. From the concert hall to Camp Randall: Composer Jennifer Higdon reconnects with drum corps

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Michael Boo was a member of the Cavaliers from 1975-1977. He has written about the drum corps activity for more than a quarter century and serves as a staff writer for various Drum Corps International projects. Boo has written for numerous other publications and has published an honors-winning book on the history of figure skating. As an accomplished composer, Boo holds a bachelor's degree in music education and a master's degree in music theory and composition. He resides in Chesterton, Ind.