Coming into the July 28 DCI Midwest Prelims, both Blue Devils and Phantom Regiment had been undefeated during the entire 1990 season. But by the DCI World Championship Finals at Rich Stadium, outside of Buffalo, N.Y., both corps tied for fourth under Cadets of Bergen County, Cavaliers and Star of Indiana. (This was Star’s first incursion into the top-three). For the first time in DCI history, no California corps placed within the top-two spot at the Finals.
Some of the most memorable highlights of 1990 include Cadets’ reverse “Z” pull, as if watching the trademark form run backward, Star’s biblical splendor during “Belshazzar’s Feast,” and Blue Devils’ tarps. In the corps’ first large-scale journey into the world of rock music, the triangular tarps represented pinball machine paddles from the rock musical, “Tommy.” Phantom Regiment endearingly featured a salute to many of their competitors by incorporating several musical and visual themes from those corps into their show.
Among more notable memories in the bottom half of finalists, Crossmen and Bluecoats offered competing renditions of “Caravan,” and Dutch Boy became the first and last Canadian finalist since 1977, with a glitzy tribute to Frank Sinatra and Sammy Davis, Jr.
But it was Velvet Knights’ tour of a Hollywood studio during a show celebrating the fun of summer that had fans laughing vigorously. The show finished in tenth place on the sheets, but may well have finished in first in the category of moments fans remembered most that year. In typical VK fashion, the show turned drum corps upside-down, having a blast doing so.
From the very start of the show, it was clear the corps was continuing on its path of defying convention. The drum major took out a baton from behind his neck and then dropped it on the field; a spoof of Phantom Regiment’s drum major routine. A brief statement of the melody of “Summertime” (from Gershwin’s “Porgy and Bess”) kicked off the production, just as fans’ eyes were finally adjusting to the psychedelic pattern of the stretch pants the brass and percussion members were wearing.
Next was a full-blast, rock-out rendition of Alice Cooper’s hit, “School’s Out (for Summer),” which in its original version, not only celebrated the end of the school year (and perhaps even the start of the drum corps season), but the demolition of a school building that had been blowed up real good. (I’m channeling SCTV here.) The rifle line performed with giant pencils until the key change, which was one of the most magnificently raw and loud blasts of brass I’ve ever experienced. The piece ended with the corps running into a “VK” drill form, as if the eager students ran straight from their school building to the drum corps bus for tour.
Performance excerpt of the 1990 Velvet Knights.
Next up was “Universal Hollywood Studio Tour,” featuring themes from a number of popular movies. During the opening 20th Century Fox fanfare, a tourist appeared from behind the tour bus set carrying his suitcase and showing a sense of being absolutely enamored at the thought of being in Hollywood, taking photographs of whatever he could. One of the drum majors operated the swing arm on a movie clapperboard and the tour was off and running. As the tourist missed his bus during “Hooray for Hollywood,” (perhaps because Bart Simpson was driving it), Homer Simpson was seen staring out the back window in terror.
Umbrellas came out for “Singin’ in the Rain,” followed by an appearance of Dorothy and her three main friends from “The Wizard of Oz,” all of whom gladly posed for photos during “Follow the Yellow Brick Road.” A swashbuckling Errol Flynn, during the very brief theme from “The Sea Hawk,” was embarrassed when his pants fell down, revealing his boxer shorts with red hearts. But he had bigger problems when the corps formed a giant shark during “Jaws,” until the bus returned to save everyone… a shark’s fin sticking out of its roof. As the bus passed, eight color guard members were revealed who spoofed Santa Clara Vanguard with an almost-performance of the “Bottle Dance” from “Fiddler on the Roof;” “almost” because instead of doing the dance on their knees, they fell over and rolled on the ground to the delight of the audience.
Chick Corea’s “Slow Burn” was the extended drum feature, with the guard demonstrating the laid-back nature of summer by utilizing folding beach chairs as equipment. However, they, the rest of the corps and the palm trees on the field had to resist the strong Santa Ana winds that came blowing in, setting up the 15 snare and tenor drummers for an up-front solo on 16 grounded timbales.
Michel Legrand’s evocative “Summer of ’42” offered a melodic change of pace, with transparent black flags perhaps giving notice that nightfall was metaphorically descending upon the summer. A closing statement of Steppenwolf’s “Born to Be Wild,” with the guard on giant electric guitar props, tired the corps out to the point of near collapse. But after a time-out breather, the corps rocked out for the final few seconds and then collapsed on the field, all vacationed out and ready to return to the less strenuous confines of school.
For this week only, you can save on the Legacy Collection DVD that contains this complete Velvet Knights performance, along with all finalists from the 1990 DCI World Championships.
Discount DVD offer ends Monday, Sept. 3 at 8:30 a.m. ET.
Michael Boo was a member of the Cavaliers from 1975-1977. He has written about the drum corps activity for more than a quarter century and serves as a staff writer for various Drum Corps International projects. Boo has written for numerous other publications and has published an honors-winning book on the history of figure skating.
As an accomplished composer, Boo holds a bachelor’s degree in music education and a master’s degree in music theory and composition. He resides in Chesterton, Ind.